SHOW RCA FASHION

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The Royal College of Art Fashion MA programme will be hosting its annual graduate fashion shows to the public on Wednesday 29 May. MA Fashion students specialising in menswear, womenswear, knitwear will present their final collections on the catwalk, with footwear, accessory design and millinery in a static display.

Tickets are available HERE 

 

SAM MC / LONDON /-

Image from SAM MC

Image from SAM MCImage from SAM MCImage from SAM MCImage from SAM MCImage from SAM MCImage from SAM MCImage from SAM MCImage from SAM MCImage from SAM MC

ON THE MARK, IN THE LOOP, QUICK FIRE, SHARP TEETH…
A FEW WORDS FROM A MAN IN A MOMENT, SAM MC. 
Describe your process of work creatively, from idea to outcome. The idea is almost spontaneous… never forced.  It comes instinctively and I just go with it.  The first season I knew I wanted to do the crazy dog because it was mental and graphic and aggressive, so I built the collection around that idea.  And the second season was about the wolf, which came from an amazing Japanese scarf that I found.  But the garments are always cool and easy because, although the print is strong, I know how I want to wear it.  Its got to be real to me.
I work with a close-knit team of family and friends to pull together garments, which I design and cut in London, and work with a fantastic factory to produce the final product, I love to visit the factories I’m really hands-on with the entire process.
Then once the clothes are designed and styled, I focus on the look-book to really build a story, and thats when I get really excited.  I thrive on casting the models and finding the location to deliver images that sell an ethos for the label and the story of the season.  I have a 360 degree vision and rely on my instinct for everything.

Is this working process one that changes and evolves with each collection or do you have a design routine? The routine is becoming more and more fast-paced for me as I split my time between building the collection and building a career for myself as a graphic artist, as well as working on various collaborations.  And as I learn more, there is more I push to achieve in the time I have… so it is definitely an evolution.  But one thing remains constant is that I am always patient and wait for that moment of definitive inspiration to come.

Describe the SAM MC customer.  I am still figuring this out, because you can never put a stereotype on a customer.  Originally we were “all English”, and then I started to have fun and started taking more risks with garments… especially since we have great support in Japan, and those guys know how to dress.  If I can make garments for everyone to style up how they want, without alienating anyone, then I have done my job as a designer.

How easy was it to translate your skills from Graphics to Fashion design? Graphic design, especially when it comes to product, is about 3-D realisation of a visual, and an interest in fashion definitely made that transition easier.  Its always a learning process when it comes to physically making the garments, but thats why I have a team around me that know what they are doing!  And as long as I know clothes, and how I want to dress, then its a very uncomplicated process.

How would you describe the brands aesthetic? Anglo-Asian-inspired print-infused street-wear.

How does Sam Mc fit and identify with the current menswear landscape?  SAM MC appeals to the t-shirt-wearing guy who needs a statement piece to style with jeans.  I create very visual pieces that you want in your wardrobe, and will hopefully transcend current trends and always be fun and cool.  I don’t aim to create a hyped fad, more a label with longevity, like Givenchy, Supreme or Obey.

Describe the relationship between designer/ audience and how this interaction affects the way you design? I think it is far to easy for a designer to separate themselves from their audience and design in their own fantasy.  Fantasy is definitely what drives the creative process, but I try to stay as grounded as possible and design what I believe people actually aspire to own. I speak a lot with my mates about how far they would be prepared to push their style and do my best not to exceed that. These are real boys and girls and thats who I want to dress. 

Who or what are your influences, heroes, idols, muses, irritants? Darth Vader and Darth Maul are the original MC Icons. Sitting alongside them are influences such as the Brothers Grimm novels, photographer Tim Walker, Comme de Garcons, Riccardo Tisci, GOOD MUSIC, Jay-z, Chase + Status (Blind Faith video is genius), anime and Japanese toys, and Jack Borkett styling.  My muses are mainly the guys that I will use time and time again in my campaigns Josh Quinn, Tom Newton, Louis Barber-Cruz, as well as Jamie T, Coco Sumner, Pro Green pre 2010, and Simon Cook of Stone and Spear … and my Sister, Courtney MC, too.  

A dream brief, project and collaboration. A dream brief would be to work with Colin Tilley on a music video, styled by Grace Coddington, and choreographed by Chris Brown.  Collaborating with musicians is an amazing experience, and we have something exciting coming up for later in 2013.

Check out SAMMC LONDON

Interview and design by Slashstroke

PRO KNIT SPORT PLUS / EKATERINA KUKHAREVA

Image by SlashstrokeImage by SlashstrokeImage by SlashstrokeImage by Slashstroke Image by Slashstroke Image by Slashstroke s7

All Knitwear by Ekaterina Kukhareva 

Look1:  Top by Ekaterina Kukhareva, sport bra from American Apparel

Look2: Dress by Ekaterina Kukhareva, hoodie from American Apparel, vintage t-shirt from Beyond Retro

Look3: Dress by Ekaterina Kukhareva, cap by Lucy Fine

Look4: Top and bottom by Ekaterina Kukhareva, sport bra from American Apparel

Look5: Dress by Ekaterina Kukhareva, sweatshirt from American Apparel

Look6: Skirt by Ekaterina Kukharev, vintage singlet from Beyound Retro

Model: Julitte Picquier@Models1

Styling: Warren Leech, Dan Wigham

Photography: David Poole

Assistant: Diana Anghel

Photographed at the ROSE LIPMAN BUILDING.

JUMPER SHAPER by YULIA TSEZAR

IMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINEIMAGE BY YULIA TSEZAR FOR SLASHSTROKE MAGAZINE

IMAGE 1 Jumper by Olivia Anne May  http://www.oliviaannmay.com

IMAGE 2 Jumper by Olivia Anne May

IMAGE3 Jumper by Lorren Johnson

IMAGE4 Jumper by Rachael Hall

IMAGE5 Jumper by Rachael Hall

IMAGE6 Jumper by Jylle Navarro http://jyllenavarro.co.uk

IMAGE7 Jumper by Athanasia Avramisou

IMAGE8 Jumper by Emilie Hall

IMAGE9 Jumper by Jylle Navarro

PHOTO  Yulia Tsezar  http://yuliatsezar.tumblr.com

STYLING  Warren Leech, Daniel Wigham, Diana Anghel

 

 

A MARTINE ROSE MAN

 

1 IMAGE BY DAVID POOLE FOR SLASHSTROKE2 IMAGE  BY DAVID POOLE FOR SLASHSTROKE3 2 IMAGE  BY DAVID POOLE FOR SLASHSTROKE

4 2 IMAGE  BY DAVID POOLE FOR SLASHSTROKE5 2 IMAGE  BY DAVID POOLE FOR SLASHSTROKE

6 2 IMAGE  BY DAVID POOLE FOR SLASHSTROKE 7 2 IMAGE  BY DAVID POOLE FOR SLASHSTROKE 8 2 IMAGE  BY DAVID POOLE FOR SLASHSTROKE

MARTINE ROSE / LONDON / DESIGNER / MENSWEAR
/- Describe your process of work creatively, from idea to outcome.
   -Is this process one that changes and evolves with each collection or do you have a routine?
It changes each season, sometimes it comes from an instinct or a feeling that I then build a story around and it slowly forms, sometimes it comes from a really defined idea from which I expand, anything at all can sow the seeds for the next season, for me there is certainly not a method that works consistently every season. 
 /- How has growing up in London and having your roots in Jamaica influenced your work?
Growing up in London has had a massive influence on my work as a designer.  Jamaican culture has had an enormous impact on English culture in general from music, to fashion, to language. Of course I have a personal connection with Jamaica, which definitely influences my style and taste, all though its really difficult to quantify exactly how? as it’s not one thing, in fact I think it’s more of an attitude.
/- How would you explain the current changes in menswear, if any? And how does Martine Rose fit and identify with the current menswear landscape?
It’s in the best shape it has ever been I think, in regards to support and attention across the board from classic Saville Row tailoring, through to the younger generation of designers.  I’m happy to be a part the exciting time, I showed at the first ever men’s day and now we have our own men’s week, who would have thought it!
/- Describe the relationship between designer/audience and how the interaction affects the way you design?
I don’t really think about it when I am designing to be honest. However for AW13 the concept for the space was very much incorporated into the collection, in particular I wanted the audience to feel as though they were intruding into the space of the models.  The space was designed as a room, with Ligne Roset furniture, and they were filmed dressing and undressing, so it was one integrated scenario. 
/- How will the Martine Rose brand look in 5 years time?
Fabulous!
/- Watching this space.
Clothes by MARTINE ROSE
Styling by Warren Leech and Daniel Wigham
Photography by David Poole
Assistants Zoya Smirnova and Diana Anghel
Model Lewis @NEVS

VIVIENNE WESTWOOD V MEADHAM KIRCHHOFF in the last FASH-MASH-BASH-FAVS of LFW AW13

VIVIENNE WESTWOOD V MEDHAM KIRCHHOFF 1 BY SLASHSTROKE WESTWOOD V MEDHAM KIRCHHOFF 2 BY SLASHSTROKE

FASH, MASH, BASH, FAVS OF LONDON FASHION WEEK AW13

VIVIENNE WESTWOOD  V MEADHAM KIRCHHOFF

Illustrations by Zoya Smirnova and Slashstroke.