VISUAL ANSWERS TO WORDED QUESTIONS / SASHA CRESDEE PROFILE
1.Please describe your creative process. Currently studying Fine Art at Chelsea College of Art, Sasha Cresdee documents herself through lo-fi self portraiture, still life assemblages and coll →
/- #CFA DAY @FASHION SPACE GALLERY / 5 HOURS / 1 ISSUE / MAKE STUFF HAPPEN.
Yesterday Slashstroke took over the Fashion Space Gallery for a day of Campaigning for Fashion Activism, a workshop in making stuff happen, playing with loose statements and cheap slogans, a →
/- RUSSIA DNA- PROJECT 1: RUSSIA, SELF AND OTHERS. RESULT!
Slashstroke invited Russian artist Mani Vertigo to produce a live project in response to the /- DNA question. A series of experimental workshops in sound, animation, film making, animati →
/- RUSSIA DNA- PROJECT 1: RUSSIA, SELF AND OTHERS. 27/4/14
A SERIES OF EXPERIMENTAL WORKSHOPS IN SOUND, ANIMATION, FILM MAKING AND STORY TELLING ALL COMBINED TOGETHER TO CREATE A FINAL WORK OF FICTION, A QUESTION ON CREATIVE IMMIGRATION. →
#CFA = CAMPAIGN for FASHION ACTIVISM @FSG / MARCH 21
#CFA CAMPAIGN FOR FASHION ACTIVISM JOIN US AS WE TAKE OVER THE FASHION SPACE GALLERY FOR A DAY OF ACTIVISM. SPEND THE DAY CREATING PAMPHLETS, PROTEST STATEMENTS AND REVOLUTIONARY FASH →
ART OVER THERE / “ATTEMPTS AT STRUCTURING TRANSPARENT MASS” / DESIGNBLOK 2013
Research in Progress in Response to Designblok 2013 Rebecca Bell Zdenek Pešánek, Torsos 1937. Veletržní palác, Prague. Historian Verena Wasmuth coined the phrase, “attempts at stru →
INTERN WITH US
Looking for bright sparks to get involved with photo shoots, styling, graphics, net stuff and generally assisting the creative director David Poole on a wide range of projects. Be diligent, cr →
/- ING 2014
/- TO /- TO BE /- ING /- ING 2014 HAVE A MARVELLOUS ONE! XX /- Image from "BE ARTY" project.
ART OVER THERE / CITIES AND MEMORIES: A PORTRAIT OF VENICE BY SIAN GLEDHILL.
In this article, artist Sian Gledhill describes a visit to Venice during the 2013 Venice Biennale. Through a personal exploration of place and memory, response and encounter, she looks anew at both th →