01/10/2010

THE VINTAGE 90S

Rarely does something that has just recently become old get a celebration of Selfridges proportions. SS caught up with the Selfridges Concept Store '90s revamp, joining forces with Beyond Retro and de
10/03/2009

CAROLYN MASSEY S/S10 LFW

CAROLYN MASSEY Whilst fashion’s love in with trends come and go, Carolyn Massey’s passion in investigating vintage army and outdoor wear shows no threat of transition. Over successive seasons,
10/03/2009

JAMES LONG S/S10 LFW

JAMES LONG Every now and then fashion switches it’s focus, and a trend from only a few years ago, thought dead and tired, can feel fresh and have meaning again. Take military uniforms, it’s camo
10/01/2009

TIM SOAR S/S 10 LFW

With his S/S 10  'FOLDING DIAGRAMS FOR A SPREAD SQUASH' Collection, TIM SOAR deviates boldly from any pre-conceived notion of what we might expect from him. The collection story deals heavily in perc
09/30/2009

MAN SHOWS, LFW REVIEWS

MAN KATIE EARY A recent graduate of the Royal College, Katie Eary has previously taken George Orwell’s controversial Animal Farm as a starting point for her firebrand vision of menswear. For s
09/25/2009

CHARLES ANASTASE S/S 10 AT LFW

Texture, texture, texture everywhere by the time we got to see the Charles Anatase show in the old grandeur of the Islington Town Hall it appeared like stripped back minimalism. It was refreshing to s
09/25/2009

JULIAN J SMITH S/S 10 AT LFW

Sunday 20/09/09 180 The Strand      sponsored by On/Off With a background working for designers Roland Mouret, Jonathan Saunders and Erdem it was hard to anticipate  what direction Smith's debut c
09/25/2009

STEVE J YONI P S/S 10 AT LFW

Getting a little fashion frazzled round the edges we made our way to the Korean Cultural Center to see the presentation by design duo Steve J Yoni P, as with recent collections they presented an ether
09/25/2009

COOPERATIVE DESIGN S/S 10 AT LFW.

On over to Free Mason Hall for Vauxhall Fashion Scout present and Cooperative Designs installations. For the past for seasons we have been entranced by the bold and seemingly abstract arrangements of